I got a note from my father, who said that Success is wonderful, if you don't inhale. That was his own aphorism, and I think it's the very best thing he could have said to me or anyone else on the subject.

I've always done what I thought was good if I could live on what they were offering-and sometimes if I couldn't. So even when I was broke, my career didn't lack for interest.

I'm sort of obsessed with the news. That is a syndrome. But I don't watch a whole lot of TV.

Obviously the first roles that you're proud of are the ones that everybody else liked too.

The bad guys dont always get punished and the good guys are not necessarily pure.

We're paid to care. That's what actors get their money for. But the main goal is not for the actors to be frustrated at the end of the show, but for the audience to be throwing their shoes at the television set. That's what we're trying for.

I played Lucky in Waiting for Godot at Yale and it was a thing that Stanislavski talks about: he says you don't need his 'method' if you can count on your inspiration and it was a moment of inspiration that came to me, not in rehearsal but on stage. It hit me right there in the middle of the play and it was great - it travelled into immediate communication.