As for lawyers, it's more fun to play one than to be one.

I played Lucky in Waiting for Godot at Yale and it was a thing that Stanislavski talks about: he says you don't need his 'method' if you can count on your inspiration and it was a moment of inspiration that came to me, not in rehearsal but on stage. It hit me right there in the middle of the play and it was great - it travelled into immediate communication.

If there's any business that instructs you in the strong hand of fate, it's show business. You can plan and plan, but it's what happens to you that really determines what your career will be like.

I literally was saved by a role, from becoming a cab driver. I never did have to wait tables, though, so looking back I guess I had it pretty soft.

I don't think there's anything to be desired in a bunch of people chasing you around, trying to get a piece of your clothing.

Separation is painful, and there's such a thing as doing it too much - the limits are how much it hurts.

I dont think playing a villain is my greatest talent.