When I was learning to write I was surrounded by poets; Brian Blanchfield and Annie Guthrie were always with me as I was learning. I'm so grateful for the poets in my life. Because of them I always knew the importance of each word, line.

I am a toggler. I always have three or four projects going, short stories alongside novels and essays. When one project is terrible, there's somewhere else hopeful to look.

I like the night. I like a slight terror to remind me how precious life is. Like I was sleeping with my smallest child and there were crazy coyotes howling outside. I knew how lucky I was to have her near me.

The Dark Dark is a far slower project, clearly, and that's a relief. I look for slowness anywhere I can find it.

When I was learning to write I was surrounded by poets; Brian Blanchfield and Annie Guthrie were always with me as I was learning. I'm so grateful for the poets in my life. Because of them I always knew the importance of each word, line.

One book that has meant much to my writing is W.G. Sebald's The Emigrants. He uses a photograph of Vladimir Nabokov hunting butterflies in a similar way. The image or a reference to the image is traced throughout the four separate narratives. It sometimes seems to be the only link between the pieces, while the symbol Nabokov cuts remains wide open, a pencil sketch, a mystery to interpret outside his role as emigrant/observer.

I think I write mostly about death and so it is interesting to hear how often people think I'm writing about pregnancy and birth. Though of course they are two sides of the same coin. Both when I was pregnant and now as a mother, I am consumed with thoughts of death. This is a strange role in parenting. The death guardian.