I feel it's such a tragic thing [Kurt Cobain's suicide]. Here is a guy, a young guy, that had everything in his hands. He could have had a great life. He had a wife, he had a child, he had a fantastic career. He was important to a generation. And for him to do that - I didn't like that. I thought that was just wrong.

That song ["Don't Tell Me"] didn't take us anywhere, and I know why now. It wasn't what Van Halen fans wanted. It showed the darkness of Van Halen, and basically the end of the band.

I think all the bad blood started when Geffen released a greatest hits package of my solo stuff.

I always liked a good love song and I dig being in love.

When I woke up from that dream, brother, I was like, "Okay, I've got to know what that was, what happened." That was not an average dream. I've had some dreams in my days, but not like that. It was way too vivid. Looking back, the reason that dream makes more sense today than it did then is, we are in a digital world. Back then, it was an analog world. Everything was digital in the dream.

We needed time off from each other after our last tour because there was a lot of personal stuff we had to take care of. Eddie needed hip replacement surgery. Al needed his back worked on. And I was going to have a baby.

I've had my fill of "One Way To Rock" or "I Can't Drive 55." Those are guy songs to me, and I'm cool with that. But when you write a great love song and you start seeing that 50 percent of your audience is beautiful women, that's much more rewarding, than having a bunch of guys out there.