Every man's affairs, however little, are important to himself.

The art of the writer, like that of the player, is attained by slow degrees. The power of distinguishing and discriminating comick characters, or of filling tragedy with poetical images, must be the gift of nature, which no instruction nor labour can supply; but the art of dramatick disposition, the contexture of the scenes, the involution of the plot, the expedients of suspension, and the strategems of surprise, are to be learned by practice.

The authors that in any nation last from age to age are very few, because there are very few that have any other claim to notice than that they catch hold on present curiosity, and gratify some accidental desire, or produce some temporary conveniency.

Many causes may vitiate a writer's judgement of his own works. On that which has cost him much labour he sets a high value, because he is unwilling to think that he has been diligent in vain: what has been produced without toilsome efforts is considered with delight as a proof of vigorous faculties and fertile invention; and the last work, whatever it be, has necessarily most of the grace of novelty.

Spite and ill-nature are among the most expensive luxuries in life.

People need to be reminded more often than they need to be instructed.

Locke, whom there is no reason to suspect of being a favorer of idleness or libertinism, has advanced that whoever hopes to employ any part of his time with efficacy and vigor must allow some of it to pass with trifles.