I actually think it's going to be the intriguing plot [ in Black Snake Moan] point that brings people into the film.

Long Kiss Goodnight has a huge cult following. They could make another version of that movie right now and make a lot of money.

Quentin Tarantino was talking about Ordell a little bit, and I was like, "I'm sure Ordell is one of those people who thought Superfly was the greatest movie ever made." So he cuts his hair and straightens it, but he never has enough money to maintain it perfectly. So it's kind of nappy around the edges, straight and kind of puffed up. That's why he'd always keep it in a ponytail or a braid. We were just having fun and creating a distinctive character.

What kills me is that everybody thinks I like Jazz.

Everything that I've gone through informs me and my opinions in a way, I guess because I am a child of segregation. I lived through it. I lived in it. I was of it.

If you go into a comic book store, there are tons of Star Wars stories on the stand. There are lots of different stories to tell. Maybe George [Lucas] won't tell them. Maybe some kid, who's a Star Wars fan that's planning to go to film school, will call Lucas and say, 'I'd like to make a Star Wars film.' Then, they'll make one.

I did play a dentist in Waiting for Guffman. I wrote the speech at the conference. In the original script, when it got to that scene, it was, 'Thank you very much. Good night.' Literally. I just thought, 'He keeps talking about this speech. The keynote address is the big thing in his life and this is too important to say, "Thank you. Good night." I think we have to see and hear him doing what he does.' So I got together with my dentist and we worked through a few things.