Those are the rules. To improvise in a movie with other people, when they're following a script, everybody has to know what's going on. I think a line or two we might change. Certainly, I do. But I wouldn't call it improvising. I'd call it fudging the lines.

The [Oregon] Journal in its head and heart will stand for the people, be truly Democratic and free from political entanglements and machinations, believing in the principles that promise the greatest good to the greatest number-to ALL MEN, regardless of race, creed or previous condition of servitude... It will be a fair newspaper, not a dull and selfish sheet.

Young guys don't tend to want to portray people who have frailties or are less than macho.

Sometimes one of my ways of choosing movies that I want to do is if it's the kind of movie I would have gone to see when I was a kid, and this is a movie I actually did go see, as a kid. And I think it will be exciting for audiences to see now.

I understand the rural south because I spent a lot of time in it when I was a kid and my grandfather’s brothers were farmers and I spent time on the farm when I was a kid with them walking through the fields and working and hanging out.

I never had one beer. If I bought a six-pack of beer, I kept drinking till all six beers were gone. You have to have that kind of understanding about yourself. I haven't had a drink now in 12 years.

I was desperate on Coming To America set - not to buy drugs or anything, but I had a person at home, a girlfriend who's telling you, "You're out the bills and food. You need this, you need that. And you either get it, or don't come back." That was me.