I love being the bad guy, simply because I was always so responsible, so predictable growing up.

I try to weave a secret into each plot. It's the thread that holds the rest of the story fabric together. In fact, it's the reason for the story. I hint at the secret early on. Immediately I want the reader to get the feeling that something here isn't quite right. It helps maintain the suspense if a puzzling element is introduced in the first few pages of the book, but the answer isn't revealed until the final ones. Hopefully, readers want to know what the heck is really going on, and it's the desire to find out that keeps them turning pages.

Even knowing the ending was sad, I wouldn't have deprived myself the beauty of the story.

I love being the bad guy, simply because I was always so responsible, so predictable growing up.

i'm going to marry you. i thought you'd like to know in case you wanted to buy a dress or something.

Ah, but being in love made you mean and crazy. Love made you act like a fool even when you knew you were acting like a fool and couldn't help yourself from acting like a fool.

I don't panic unless I have to. Wastes energy.