I mean, yeah, Anne Fletcher was a choreographer, but she was born to be a director. You need to have the ability to figure out people's rhythms. It all starts from the script.

I now have faith in those who say they represent a faith. Whereas before I was like, 'Do not give me a lecture on how to live my life when I know I'm a pretty decent human being. I might not go to church every day, but I know I do the right thing or try to. You're going to church and you're still sleeping around on your wife and spending everyone's money. How are you better than I am?' So I've finally met people that walk the walk and it's made me happy, really happy.

The rule is you have to dance a little bit in the morning before you leave the house because it changes the way you walk out in the world.

Childhood is what you spend the rest of your life trying to overcome.

My life changes dramatically every time I get up out of bed. After my proposal life changed in that I wasn't asked to change. I always thought that marriage meant someone was going to ask you to stop being who you were. And I met someone who not only wants me to be who I am but likes it. So, my life changed in that my views towards marriage stopped being morbid. I found I was ready to be a good partner where I don't think I was a very good partner to people before. I stepped up my game.

It's such a joy to be able to play someone who is angry. It's a joy and a relief. Having to be nice all the time is exhausting and boring.

If you're gonna tell a story from beginning to end, I always think you have to have a great structure in a script. If it gets you excited and it's something you've never read before that's another plus. I think also with improv and that whole world of stand-up, that's a whole other organism of comedy that still needs a story, but it's more free-form. On the set, it is the combination of both those worlds coming together: a great script and an allowance to play with it.