Before you speak, get very quiet, do the meditation, say, "Use me as a channel for what needs to get said to this community. This community needs to hear something very important that I'm the only person in the room who can say it. Please help open me so that I'm not frightened and speak through me. Let me be that channel so that I can help heal." You make yourself so humble that you really are like a flute and that music that comes out comes from el corazón. All the people you're connected to from that light that we call love.

I can't do a linear novel. I'm just going to write what I need to write.

I don't like to go into subways, because I always see them [ mice]. They are like my naguales [kindred animal spirits]. They follow me. I have literally stepped off of a plane in Phoenix and gotten my bag and stepped out on the curb and they'll be a big desert rat walking right in front of me.

I don't really think our government at heart wants peace. So I urge you, write to Mrs. Laura Bush, because she reads.

As people who are women, who are Indigenous and live on Indigenous lands, we know, and this is something I understand the older I get, that they don't visit the same way the postman may visit but they do visit. They visit in ways that our modern society often disregards and considers immaterial or unreal.

One of the things I used to dream of is that if I could just be funny like Red Skelton, if I could be a comedian like Red Skelton - that's what I watched on TV - then maybe I would have friends. I just remember that if I told stories to my friends, they listened. And in my family, with nine people talking at the same time, it's really hard to get people to listen to you. We were all craving attention.

When I was writing Caramelo the last couple of years, a sixty-hour work week was normal. And now I'm lucky if I have eight hours.