Perhaps the community you mentioned might not come to the story. Sometimes you have to take the story to them, and perform it, and that's another way that I get an alternate point of view that isn't the official version of history out to a community. I feel that's what I've been doing since Caramelo.

Every writer I admire is my teacher. If you look at it, and if you care to read carefully enough and to read and reread a text, you teach yourself something about craft.

Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. [...] You're judging yourself, you know, thinking about your listener. You're not thinking about what you're saying. And that same thing happens when you write.

When I'm starting to feel, "How many more people are there?" I go slower. I ask questions, and that person engaging with me gives me energy.

I just feel that the East and the West are two different worlds. I sometimes get saddened when I see that very few writers of color are published or reviewed in East Coast presses and magazines.

[Writing is like fishing]. You don't bow because you made the fish. That's the difference. If you know that, then you bow for your labor.You crafted, you worked, you put in those hours so that you could catch that fish. But you didn't make that fish. You just caught the fish. That will help you stay humble and bow for the right reason and be very lucid about the work you do.

This is the age of fear and so many of us feel afraid to speak out about what has happened to our lives in the wake of 9/11. Television promotes the world as a scary place for the United States and this justifies peeling away every element of privacy we had before. The media is monopolized so we don't even hear a lot of dissent about this new era.