I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet.

Friends started saying, "Oh, don't come. No vengas. It's dangerous for us, and we live here." Then there's also the issue, if you go back, and you happen to be Mexican-American, you get treated very differently [in Mexico] than if you're blond. If you say something wrong, they say, "Why don't you learn your mother tongue?"

One way to get very humble is to dedicate the work you're going to do to your community. And by community I mean that community you have a special vision for, that only you see, that no one else in a room sees. That special community in pain, that through a pain you've suffered, you're able to have that vision, that super-ray vision.

I'm a witch woman--high on tobacco and holy water. I'm a woman delighted with her disasters. They give me something to do. A profession of sorts...I have the magic of words. The power to charm and kill at will.

When you have your heart broken wide, you are also open to things of beauty as well as things of sadness. Once people are not here physically, the spiritual remains, we still connect, we can communicate, we can give and receive love and forgiveness. There is love after someone dies.

If we were multilingual, imagine how much you would learn about your own culture, about the sensibilities of what's important in your own culture.

I am one who leaves the table like a man, without putting back the chair or picking up the plate