I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet.

Generally if you're a daughter in a Mexican family, no one wants to tell you anything; they tell you the healthy lies about your family.

[Courage] always bigger than what you think you can handle, but you're never going to be given something you can't handle. So you say, "Okay, when you tell me what it is that I'm supposed to do, please give me the courage to do it."

Believe it or not, Mexican cooking, for those of you who have not gone farther south than Taco Bell, uses a lot of vegetables. But those vegetables were not brought here, like corn mushrooms, huitlacoche, or squash blossoms.

The thoughts of letting go of everything I love overwhelms like a tsunami of sorrow.

I think one of the great primordial fears we have once we become conscious of our aloneness as children is the fear of losing our mother. We have that from the moment we realize we can lose her just in the supermarket. As a child, it was more terrifying than arithmetic.

Heartbreak allows us to also experience joy and love but you have to walk through heartbreak to even know what joy is. Heartbreak is a constant and it is even necessary. It allows us the opportunity of introspection and exploration. Those processes are what is necessary to write and engage in the arts.