I was looking at a lot of experimental writers, and I was very intrigued by short-short fiction, writers who would write little things, what I call buttons now, little vignettes.

I learn through listening and watching other performers that are very good, like Denise Chávez, Dorothy Allison.

The good thing about Dennis [ Mathis] is, even though he's a white, he respected that I was doing something quirky with my English. He loved it when I would mix up the Americanisms and say, "That's water over the dam."

Friends started saying, "Oh, don't come. No vengas. It's dangerous for us, and we live here." Then there's also the issue, if you go back, and you happen to be Mexican-American, you get treated very differently [in Mexico] than if you're blond. If you say something wrong, they say, "Why don't you learn your mother tongue?"

Think about the books that you were reading at a certain crisis in your life, what you were reading, and that's because you needed them to nourish your alma.

I'm learning a lot by reading teachers like Thich Nhat Hanh, Pema Chodron. They teach me because I feel like I have a responsibility to the communities that I speak to.

I've come to some balance now and calmness. If anything happened to me and I got hit by a bus - I hope this doesn't happen, but if something happened - my body of work is something I could rest on. I don't feel, "Oh God, I have to hurry up . . ."