My readers are as diverse as any group you will ever see. Something that booksellers always tell me. That they are always surprised at the kind of people that come to my readings. That they are such a mix of ages and colors. It looks like people spilling out of an elevator.

If we were multilingual, imagine how much you would learn about your own culture, about the sensibilities of what's important in your own culture.

For me, a story's a story if people want to hear it; it's very much based on oral storytelling. And for me, a story is a story when people give me the privilege of listening when I'm speaking it out loud.

By community I mean that community you have a special vision for, that only you see, that no one else in a room sees. That special community in pain, that through a pain you've suffered, you're able to have that vision, that super-ray vision.

I can get by and chatter and talk and tell funny stories, make people laugh, but I don't have as many words, I don't have the vocabulary. I think if I forced myself to read in Spanish - you know, I always say I'm going to, but I lose my patience reading in Spanish, because I really do read the way a third grader does, mouthing the words. That takes a long time!

Everything that I write comes when it wants to, out of its own need and it dictates its form. I don't say, "I am going to write a novel."

I think that you need to have books that talk about the lives of the poor, and they need to be involved - involved in acquisitions.