When your life changes and you become a more public person, in some ways you need to be a more closed person, you know?

I equate fame towards people who know your work, people who will see your work. But all that stuff, like with the Genies and stuff like that, it was so much fun. It's so much fun and it's nice when it comes, but that's not what it's all about.

As a working actor, all I want to do is work. That's it. It's terrifying when you don't work. It's very hard when you don't work. There have been times when I've been out of work for like six months. I feel theatre to me is like manna.

With small breasts, you don't have to wear a bra with dresses that have some support. It feels sexy without one.

Creatively, I really feel like I gave it my all, and I feel ready to let her go.

I love my hair. When I was young it had weird kinks and cowlicks in it, but I just grew into it. You grow into a lot of things.

People ask me what I'm writing. They think I'm Sandra Tsing Loh. Or they ask about stand-up. 'No, that's Margaret Cho.' I really think there is this kind of glomming, that they think we are somehow all the same person.