I fancied I had some constancy of mind because I could bear my own sufferings, but found through the sufferings of others I could be weakened like a child.

There is yet another kind of matrimonial dialect (which naturally succeeds this of talking at each other), which may very properlybe styled The Language Contradictory.... In the former, however plain the object of satire may be exhibited to the whole company, yet there always remains some little covering.... But in this last method, the defiance becomes more open and the impetuosity with which these contradictions are uttered (although the subjects of them are often of the most indifferent nature) evidently prove that they arise from passion.

I am none of those nonsensical fools that can whine and make romantic love--I leave that to younger brothers. Let my estate speakfor me.

I believe no gentleman would like to have his family affairs neglected because his wife was filling her head with crotchets and pothooks, and who, because she understood a few scraps of Latin, valued that more than minding her needle or providing her husband's dinner.

I often used to think myself in the case of the fox-hunter, who, when he had toiled and sweated all day in the chase as if some unheard-of blessing was to crown his success, finds at last all he has got by his labor is a stinking nauseous animal. But my condition was yet worse than his; for he leaves the loathsome wretch to be torn by his hounds, whilst I was obliged to fondle mine, and meanly pretend him to be the object of my love.

Little miss is taught by her mamma that she must never speak before she is spoken to. On this she sits bridling up her head, looking from one to the other, in hopes of being called to and addressed by the name of pretty miss.... But if this should not happen and no one should take any notice of her, she is ready to cry at the neglect. But should there be another miss in the room caressed and taken notice of whilst she is thus overlooked, it will be impossible for her to contain her tears, and blubbering is the word.

[T]he judicious reader ought to know what the chief character in any work of the imagination will naturally perform, according to the situation he is thrown into, as well as doth the author himself.