It's mostly directors whom I get starstruck around.

As women, we're always in negotiation with how we're being perceived versus how we feel.

If you ever had anyone in your life who has been struggling with addiction or struggling with anything, it's about the resilience of love and how much you're willing to struggle with somebody to preserve your relationship and to try to preserve them as a person - and I think that's really important.

I really like directors who give you a certain amount of autonomy because I think a lot about my characters and I think a lot about scenes and choices.

Нou're always in constant dialogue with your interior self versus your exterior self: how you look, and how you're perceived, and then people's preconceived notions of you.

You want to be a part of something that is going to change history or make history or be bigger than yourself.

It sounds really corny but every film that you do is its own journey, it's its own experience, it's its own thing. Often you think it's going to be one way and then it goes another way - you think you can chart a character and then other things happen. That's the amazing thing about our jobs, it's constantly changing and it's extremely dynamic and you therefore have to be dynamic as well.