It's mostly directors whom I get starstruck around.

The way I sometimes approach my work, when I look at a script for the first time, is to identify what the archetypes are and what the writing is trying to do in that context.

Нou're always in constant dialogue with your interior self versus your exterior self: how you look, and how you're perceived, and then people's preconceived notions of you.

My chosen occupation isn’t necessarily movie star; I see my chosen occupation as actor.

You have people who know you are competent enough to do your job and then you have the ones that just hover around.

If we learn to understand each other, we will have a better understanding of ourselves.

When you look at something that's so extraordinary, like a man who is traveling back in time to prevent JFK's assassination, for me as an actor, you're still trying to seed it in some sort of reality.