Нou're always in constant dialogue with your interior self versus your exterior self: how you look, and how you're perceived, and then people's preconceived notions of you.

Нou're always in constant dialogue with your interior self versus your exterior self: how you look, and how you're perceived, and then people's preconceived notions of you.

You want to be a part of something that is going to change history or make history or be bigger than yourself.

You often have a great director who's like, "Well, actually I don't even want to reveal you until the end of this scene" or something like that and it totally changes everything that you thought it was going to be.

The way I sometimes approach my work, when I look at a script for the first time, is to identify what the archetypes are and what the writing is trying to do in that context.

I think the mark of a good director is that they surround themselves with good people.

My chosen occupation isn’t necessarily movie star; I see my chosen occupation as actor.