I think when you work with really wonderful directors who have a really strong vision, it lets you as an artist set the tone for your own career.

If we learn to understand each other, we will have a better understanding of ourselves.

When you look at something that's so extraordinary, like a man who is traveling back in time to prevent JFK's assassination, for me as an actor, you're still trying to seed it in some sort of reality.

I think the mark of a good director is that they surround themselves with good people.

You often have a great director who's like, "Well, actually I don't even want to reveal you until the end of this scene" or something like that and it totally changes everything that you thought it was going to be.

As women, we're always in negotiation with how we're being perceived versus how we feel.

It sounds really corny but every film that you do is its own journey, it's its own experience, it's its own thing. Often you think it's going to be one way and then it goes another way - you think you can chart a character and then other things happen. That's the amazing thing about our jobs, it's constantly changing and it's extremely dynamic and you therefore have to be dynamic as well.