When you look at something that's so extraordinary, like a man who is traveling back in time to prevent JFK's assassination, for me as an actor, you're still trying to seed it in some sort of reality.

It's mostly directors whom I get starstruck around.

In my experience, directors who are the most comfortable with themselves and confident in their work give you and everybody on the crew the freedom and the space to create. It's the people who are more insecure who feel the need to control and micromanage.

I think the mark of a good director is that they surround themselves with good people.

If we learn to understand each other, we will have a better understanding of ourselves.

My chosen occupation isn’t necessarily movie star; I see my chosen occupation as actor.

The way I sometimes approach my work, when I look at a script for the first time, is to identify what the archetypes are and what the writing is trying to do in that context.