When you look at something that's so extraordinary, like a man who is traveling back in time to prevent JFK's assassination, for me as an actor, you're still trying to seed it in some sort of reality.

I think when you work with really wonderful directors who have a really strong vision, it lets you as an artist set the tone for your own career.

When you look at something that's so extraordinary, like a man who is traveling back in time to prevent JFK's assassination, for me as an actor, you're still trying to seed it in some sort of reality.

You have people who know you are competent enough to do your job and then you have the ones that just hover around.

It's mostly directors whom I get starstruck around.

Нou're always in constant dialogue with your interior self versus your exterior self: how you look, and how you're perceived, and then people's preconceived notions of you.

You want to be a part of something that is going to change history or make history or be bigger than yourself.