The way I sometimes approach my work, when I look at a script for the first time, is to identify what the archetypes are and what the writing is trying to do in that context.

You want to be a part of something that is going to change history or make history or be bigger than yourself.

I think when you work with really wonderful directors who have a really strong vision, it lets you as an artist set the tone for your own career.

I wore a pink Betsey Johnson dress to my prom, and I pretty much looked like a pink cupcake. I loved that dress!

Нou're always in constant dialogue with your interior self versus your exterior self: how you look, and how you're perceived, and then people's preconceived notions of you.

It sounds really corny but every film that you do is its own journey, it's its own experience, it's its own thing. Often you think it's going to be one way and then it goes another way - you think you can chart a character and then other things happen. That's the amazing thing about our jobs, it's constantly changing and it's extremely dynamic and you therefore have to be dynamic as well.

The way I sometimes approach my work, when I look at a script for the first time, is to identify what the archetypes are and what the writing is trying to do in that context.