Gord [Downie] does so much Waterkeeper stuff. They were involved in [protesting clearcuts at] Clayoquot Sound [in the early '90s]. It's hard sometimes to use the capital you have as a beloved rock band and put it to various causes, especially when they're a bit more controversial, like energy issues.

Gord [Downie] does so much Waterkeeper stuff. They were involved in [protesting clearcuts at] Clayoquot Sound [in the early '90s]. It's hard sometimes to use the capital you have as a beloved rock band and put it to various causes, especially when they're a bit more controversial, like energy issues.

As with any music that one feels quite close to, I'm very critical, too. I care a lot. I pay a lot of attention.

Because I'm a musician aspiring to write good stuff and put on good shows, I'm hyperaware of what they're doing and what they're putting out. But listening now in a less critical way, I'm appreciating and admiring it even more.

My friend worked at a record store in Burlington and I really liked R.E.M. and a lot of music, but I didn't go to see much. I was 16, so I wasn't in bars unless I knew the band and could get in.

My drummer right now, who was also the first drummer in Weeping Tile, Jon McCann, told me that [Hip drummer] Johnny Fay took drum lessons from [McCann's] dad, who taught a lot of the drummers in Kingston. He said that when he was in Grade 9, the Hip were the model; the goal was to get an agent and gig as much as possible.

[Gord] Downie has become more animated than the early days, but he's still the same charismatic performer. And as a whole, that band is really the result of each individual member. If one member was not a part of it, it wouldn't be the Hip. They're all crucial to the whole thing.