There are rules, and when certain things happen, there are ceratin consequences.

I played a lesbian reporter in 1964, who was incarcerated, and ended the series as a 75-year-old woman. And then, I was a witch blinded by acid who became the Supreme, and took my mother's energy and life, so that I could live and she would die. And then, I was conjoined twins. And then, I played a heroin addict.

The theater commitment is hard, especially in conjunction with a television commitment. That's a big, long commitment.

I had gone away from Twitter because before people had been so mean to me. Talking about my lisp and my enormous forehead and all these things. I do have a lisp, I do have a forehead I know you could land a plane on, it's no mystery to me. I just didn't have the skin for it.

I usually feel like the role comes to you to sort of illuminate some piece of where you are in your life. I feel like I myself am a single woman and I'm childless - by choice - at this point, and I don't know what will happen.

I'm addicted to routine. I don't know if that's because I moved around so much as child - by the time I was 12 years old, I had lived in about 10 different places. But I like going to the theater at a certain time.

Playing Sally McKenna was a wonderful, freeing thing because we all in life have so many responsibilities to ourselves, to other people, that we rarely get to explore a very selfish side of ourselves in doing what we want, when we want, how we want, without answering to or being responsible for anyone else.