It's not that I don't want to become famous or that I'm obsessed by my work as an actress, but it's all about not limiting myself, such as putting myself in a little jail that I can escape from.

All of my short films are about marriages, and I think that this probably comes from some kind of unconscious fascination with my parents' story and what they went through.

I was concerned about that, because I've always been so specific about doing independent films, but I've never done anything that's so genuinely and ridiculously fun. And that's a great thing, for me to discover that that's possible.

Film and TV is a very hard profession to enter into if you don't have the ability to take a long period of time without making money so you can write, direct or raise financing, or work your way up, often with unpaid internships. It's hard to get into without a lot of connections. You end up with a lot of white people from privilege making films. So we're seeing a lot of the same kinds of stories.

I am aware that I've generally been more attracted to introspective roles, but it's sort of bizarre, because it's the opposite of who I am in many ways. I think I'm quite an extroverted, loud person. So it interests me that that's sort of the place that I go all quiet, is when I'm onscreen. It's a bit strange.

It's amazing how the world does actually go on in the middle of things that should stop it for us.

It's been really important to me to create moments where there's a breath or moments where there's a laugh or moments where there's real life that's allowed to seep in through the cracks of whatever melodrama is happening, because that's what does happen in life.