Being a nerd, which is to say going too far and caring too much about a subject, is the best way to make friends I know. For me, the spark that turns an acquaintance into a friend has usually been kindled by some shared enthusiasm . . . At fifteen, I couldn't say two words about the weather or how I was doing, but I could come up with a paragraph or two about the album Charlie Parker with Strings. In high school, I made the first real friends I ever had because one of them came up to me at lunch and started talking about the Cure.

Most people don't like to talk about violent historical death.

Clemenza's overriding responsibility is to his family. He takes a moment out of his routine madness to remember that he had promised his wife that he would bring dessert home. His instruction to his partner in crime is an entire moral manifesto in six little words: 'Leave the gun. Take the cannoli.

Except for the people who were there that one day they discovered the polio vaccine, being part of history is rarely a good idea. History is one war after another with a bunch of murders and natural disasters in between.

I'm not really the scented envelope kid of girl, preferring instead to send yellow Jiffy-lite mailers packed with whatever song is on my mind.

A couple of times he called the second he'd finished reading a novel and just had to tell me about it, and I know it sounds hokey and librarianish to say so, but I just swooned when he did that.

But I have never had the privilege of unhappiness in Happy Valley. California is about the good life. So a bad life there seems so much worse than a bad life anywhere else. Quality is an obsession there—good food, good wine, good movies, music, weather, cars. Those sound like the right things to shoot for, but the never-ending quality quest is a lot of pressure when you’re uncertain and disorganized and, not least, broker than broke. Some afternoons a person just wants to rent Die Hard, close the curtains, and have Cheerios for lunch.