We fitted together like the two halves of an oyster-shell. I was Narcissus, embracing the pond in which I was about to drown. However much we had to hide our love, however guarded we had to be about our pleasure, I could not long be miserable about a thing so very sweet. Nor, in my gladness, could I quite believe that anybody would be anything but happy for me if only they knew.

I knew that I couldn't lie beside her, without wanting to touch her. I couldn't have felt her breath come upon my mouth, without wanting to kiss her. And I couldn't have kissed her, without wanting to save her.

Respect your characters, even the ­minor ones. In art, as in life, everyone is the hero of their own particular story; it is worth thinking about what your minor characters' stories are, even though they may intersect only slightly with your protagonist's.

What does it say?" I said, when I had. She said, "It is filled with all the words for how I want you...Look.

Ours is a world which feels so unsettled and dangerous in large ways, whether its terrorism or global financial meltdown or climate change - huge things that affect us deeply, and yet things about which we can do, individually, very little.

..this feeling haunts and inhabits me, like a sickness. it covers me, like skin.

Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.