It just seemed to me so utterly wrong to credit someone's work just for the fact that this someone migrated from one place to another. We all move. We are all leavers and new beginners at some point, and yes, it is a huge leap from war to peace, from one language to another, from Boston, MA to Joplin, MO.
Sasa StanisicA book is not only written - after it's finished it starts writing you, the writer. You become its notebook, its sheet of paper on which it forces you to think and rethink your original ideas, your topics, your research, actually everything.
Sasa StanisicIt is a bit more challenging for the simple fact that now the stories I am writing are relying more on my imagination than on facts, more on research than on memory; so it is basically a slower writing process, more reading, more exploring. On the other hand, this approach is a little bit relieving too, since many times while writing [How the Soldieer Repairs the Gramophone] I felt too close and equal to my character.
Sasa StanisicFor example, an author whose parents fled a war but he himself was born in the country where they fled to, and that is where he went to school and college before he wrote his first book of poetry in the language of this country - he should be labeled as: "Author whose parents fled a war but he himself was born in the country where they fled to, and that is where he went to school and college before he wrote his first book of poetry in the language of this country."
Sasa StanisicBy changing the way I experienced things, even just involving different details than in reality, I often felt I was betraying the past and playing an unfair game with the reader where he (of course) would ask himself "Did this really happen?"
Sasa StanisicWriting about a war will always be political writing, no matter what amount of hermetical hide-and-seek or aesthetical operations are involved.
Sasa StanisicRegarding fiction, our concern shouldn't be the author's origin (and of course I am forgetting the sales people right here), because that is actually merely a simplified, almost insulting judgment of the book by its cover - or rather by the name and origin of its author - an act of discrimination if we want to say it in a more provoking way, but at the least an act of ignorance and false empathy.
Sasa Stanisic