I went to New York for a research trip, just because it has these iconic street canyons. It's one of the few cities that has sidewalks that are wide enough for a sea of umbrellas to be there.

I need to observe the people, and I think I need to observe myself.

Sympathy is towards someone else, versus empathy, which is feeling like someone else.

I think that collaboration makes me a better director and observer and writer because I can look at things in a different way.

Anything that exists on a time basis - that has a beginning, middle, and end, because you start watching it and then you're in the middle of watching it and then it ends - anything linear, for me, is narrative.

I want to be in control of drafting at least 80% the timing and cohesiveness of character and narrative. I want to be in control of giving you an experience, and want you to be acknowledged as an audience and can do things but only in a limited scope.

I would go so far as to say that a painting is narrative, because I have the moment where I approach it and see it for the first time, and then I spend time with it, discover details and things I haven't seen, and then I have the moment when I decide to leave it.