Others may dispute this, we have tried to keep that sense of experimentation and putting new people up alive. And we haven't become a show, where we're like, "We know the 20 comics who are good and we're just going to keep on recycling them."

And that's the thing about our show: what are they going to do put on the poster? I don't know. It's always easier when you have someone like Cedric the Entertainer where you can go, "You know this guy. You love this guy. Watch his sketch show." And then people tune in and go, "I though I knew that guy. I don't love that guy in a sketch show."

I probably could be a world-class screenwriter by now if I had spent the kind of work I devote on Comedy Death-Ray to that. But I do okay, in that regard. I mean, my stuff gets bought, so it's all right.

Endings of television shows are sometimes such depressing things. It's like you're not going to hang out with these people anymore, and that's bad enough.

Not everyone can be as successful a performer as myself, who gave 10 great performances the first time I ever did comedy, and then toiled in obscurity for years.

The podcast was kind of an afterthought, because I was just excited about being on the radio. Then I found that the podcast listenership is some 20 times what people are listening to on the radio.

It's really difficult to make things, and a lot of times you don't know you're at the end of something.