As an actor, you're never really in control of the product. I think the goal is to create what you want. And if you can get as close as you can get to the creation of something, it starts with development.

If you are lucky as an actor, you are doing a character that really matches where you are in life, or you're doing a character that is not where you are. If it's somewhere in between, you have to use a lot of imagination and a lot of thought.

I think that when you do any kind of theatrical form, (you can't really do this in the theater) the task as an artist is to reach some form of catharsis yourself, and express something that allows an audience to have some form of catharsis. If there's no discovery in what you do, if there's no struggle in what you do to have that discovery, then, there's no meaning in what you do.

When I take a role I wonder how I can use it to find out who I really am. I don't think I'm so rare a person.

There is nothing like understanding that your work has touched somebody. That is the sole purpose of acting. To be able to move and inspire. If I can do that for one person it is already changing the world and that makes me feel accomplished.

The Life Cube Burn is cathartic, fun, exciting, and even reverent. It's a spectacular opportunity to put a sense of finality to the event. And when those thousands of written "wish-sticks" inserted into the Cube from all kinds of people combine with the art and shared messaging from the write boards in a blaze of flame and a column of smoke and ashes, it becomes a communal and very spiritual moment.

I want to be in a position where I feel comfortable selling an idea.