The Clash, in particular, transcends any category.

For each show, we do maybe 15 versions before it goes on air. So I know every show microscopically.

Actors are the neediest people you're ever going to meet. And their relationship to real life, tenuous though it is because of all the wranglers, the money, everyone throwing everything at them every day of their lives -I think they're pretty much who they were before.

My mother never criticized any idea I had. She thought anybody could have anything. Even if I was in a poor family that worked at Ford Motor Company and lived in Dagenham. I could have told my mother that I wanted to work in pantomime. And she'd have said, "Great. I can help you."

The Clash, in particular, transcends any category.

In the British military system, there is a very strict chain of command. Americans just want to win, and the correct strategy may be to speak directly to the men.

Pro Publica distorts the relationship between organizations and their consultants.