I'm not so in with the prescriptive avant-garde agenda. I can do that sort of thing, but I feel that I'm still interested enough in song structure. When I look at a lyric on the page, the lyric is alive to me, looking like soldiers in a field. I can move it around, and it's very black-and-white.

I don't want to be a slave to history or facts. As long as I'm getting a good cursory understanding of what it is and I'm not drifting too far away at certain points, then I can play with the idea and take it anywhere I want to.

When I'm writing a lyric, I totally forget about the music. I'm just looking at the lyric and thinking about it almost as a separate entity. And then I'll go to my keyboard with all the lyrics printed out and try to think of how to make this a complete musical thing. I've got a very basic keyboard with some presets.

You should ask the president what he thinks about America.

The music has to be as interesting. It has to keep taking you into places that you're at least not used to.

About 70 percent of everything is really sketched out on my keyboard beforehand, because I do want accidents to happen in the studio.

I'm certainly an imperfect man. And it's only by the blood of Jesus Christ that I've been redeemed from my sins. So I know that God doesn't call me to do a specific thing, God hasn't given me a list, a Ten Commandments of things to act on the first day. What God calls us to do is follow his will. And ultimately that's what I'm going to try to do.