There's a wealth of literature out there which, hopefully, will be, you know, exploded in the future, and I personally find it very rewarding to be involved with classic storytelling, and sort of legendary characters.

There's a wealth of literature out there which, hopefully, will be, you know, exploded in the future, and I personally find it very rewarding to be involved with classic storytelling, and sort of legendary characters.

Sharpe is my favorite role of all that I've played. He's a very complex character. He knows that he's a good soldier, but he will always have to fight the prejudice of aristocratic officers because of his rough working-class upbringing. On the battlefield, he's full of confidence - but off it, he is unsure, a bit shy and ill at ease.

You've only got to walk into a pub or a café or anything and you'll find people talking about topics they're very unhappy with. You feel as though things are being eroded and people don't know where they belong anymore.

I put quite a few trees in last autumn. A lot of silver birch and a couple of native trees - just generally doing gardening, putting plants in and hedges in. It takes quite a lot of time and I love it.

I think that you always have something left, that you take something of the character with you.

The idea is that Jodie Foster is with her child and she's going back to New York from Germany with her husband's body. She loses her child on a plane, and you think, 'How can that happen?' There's no record of her having brought a child onto the plane, and the captain is left wondering about whether she's telling the truth. You never really know if she's telling the truth or not.