I think everybody's got different methods of working which suit the particular individual. Mine is to sort of play the part, and give 100%, to concentrate and focus on it while I'm actually working, but then leave it behind until the next day.

You only have to pick up a paper to see the sort of scams and injustices that are out there. There's a sense that people don't belong and just aren't very happy. They're outraged, in fact, and they're being shafted left, right and centre.

I'm still Sean that me mates went to school with, not Sean the film star. And that's the way I prefer to be.

I go to see my kids in school plays, ... I watched Lorna in a concert at the Westminster College of Music the other day and it was amazing. I felt very proud and surprised. I don't know why I was surprised, because I've known her for 17 years, but I've never seen her do anything like that in front of an audience. It's brave, it's uplifting.

I think that you always have something left, that you take something of the character with you.

The idea is that Jodie Foster is with her child and she's going back to New York from Germany with her husband's body. She loses her child on a plane, and you think, 'How can that happen?' There's no record of her having brought a child onto the plane, and the captain is left wondering about whether she's telling the truth. You never really know if she's telling the truth or not.

It was such an interesting character and the film really explored his friendship with Bond and how it all went wrong, so it was a very personal journey for both characters.