To be honest, you have to do a big Hollywood film to get enough money to do a good independent film!

I sort of leave the character at the end of the day. I don't carry anything around with me - no excess baggage or unnecessary thoughts. I think it's too exhausting to do that. To put things into perspective - your work is your work, and your leisure time is something else.

I put quite a few trees in last autumn. A lot of silver birch and a couple of native trees - just generally doing gardening, putting plants in and hedges in. It takes quite a lot of time and I love it.

A common misperception of me is... that I am a tough, rough northerner, which I suppose I am really. But I'm pretty mild-mannered most of the time. It's the parts that you play I guess. I don't mind it. I'm not a tough guy. I'd like to act as a fair, easy-going, kind man at some point.

There's a wealth of literature out there which, hopefully, will be, you know, exploded in the future, and I personally find it very rewarding to be involved with classic storytelling, and sort of legendary characters.

You only have to pick up a paper to see the sort of scams and injustices that are out there. There's a sense that people don't belong and just aren't very happy. They're outraged, in fact, and they're being shafted left, right and centre.

The idea is that Jodie Foster is with her child and she's going back to New York from Germany with her husband's body. She loses her child on a plane, and you think, 'How can that happen?' There's no record of her having brought a child onto the plane, and the captain is left wondering about whether she's telling the truth. You never really know if she's telling the truth or not.