It's very much a character-based play. Conor's writing is almost musical and paints pictures at the same time. It's a joy as an actor to be able to say the words. It's very conversational but at the same time, tells a story.

I don't want to denounce musicals because they certainly have a message they want to communicate. But with straight plays, there is a focus on what's going on between people and relationships. I think so much is happening in the world at the moment, so many changes politically and culturally, writers are writing about that.

People want to relate to that. That's a healthy place to be. Even movies do this: War movies or light-hearted comedies, they all have their different time. And this is the time, fortunately, for straight plays... Are you going to come see it?

I guess home is where the heart is, as they say. I've moved around the stage a lot - but I had intended on moving to New York anyway so I could live closer to Ireland and to Europe. That's where my sensibility is. This has just facilitated that process.

Honestly, I'd love to think I was in a position where I had that decision. But last year I worked on a movie in Bulgaria, now I'm in New York or LA. It really sounds jet-setting when you say it, but there's lots of down-time where you wonder what you're doing or you wonder about life.

It's a group of men - Conor included - everyone is so collaborative and cooperative, kind, considerate, very professional. And they know their craft. They know it very very well. There's no room for messing around. It's not messy at all. When I go in at this level, when I get the opportunity to play and work at this level, it's at the top of the game. I think, in life, we rise to whatever the bar is. I've been fortunate to rise with them.

It's very much a character-based play. Conor's writing is almost musical and paints pictures at the same time. It's a joy as an actor to be able to say the words. It's very conversational but at the same time, tells a story.