There are many things I still don't know or don't do well in comic books. It's more a question of having the will to do something creative on a subject that seems interesting. Then just giving it a bloody good bash - that's the main thing.

Most comic book creators consider about making characters that people recognize and that can carry across many books. Something that becomes a trademark. For me I have always just followed IDEAS, and that takes me into a whole range of things.

Despite the variety my books reflect my, perhaps foolish, tendency to place artistic above financial concerns; of enjoying the more mature themes in whatever creative form; of being on a mission to show that comics are not just for kids; and on a wider level of standing up for individuality against conformity.

The thing is that I don't normally think in terms of manga when I'm writing. Sounds odd from someone who has is getting a reputation for doing manga related work. But I would say that my scripts are NOT manga at the stage of my writing process, they are just comic book stories in a more general sense.

Mistakes and prejudices are as interesting as anything else. They reveal a lot about the mind set and culture of the time under consideration.

My personality has become one that tends to focus and move forward, yes. But I was not like that when I was 16 or 23, I think. I was much more uncertain, unconfident and inwards looking. Then via certain techniques I learned from psychotherapy, magick and just life in general I become more focused, confident and happy within myself.

Comics can do any kind of story. It's words and pictures, the only things it can't do are sing and dance.