Comics can do any kind of story. It's words and pictures, the only things it can't do are sing and dance.

Despite the variety my books reflect my, perhaps foolish, tendency to place artistic above financial concerns; of enjoying the more mature themes in whatever creative form; of being on a mission to show that comics are not just for kids; and on a wider level of standing up for individuality against conformity.

Me being from a Celtic culture that tends to emphasize directness, conflict, openness has a big effect on my living in Japan, which tends to focus on indirectness, avoidance of conflict and keeping things close to your chest. So that has led to quite a lot of cultural misunderstandings in dealing with this East Asian culture I live in.

There are many things I still don't know or don't do well in comic books. It's more a question of having the will to do something creative on a subject that seems interesting. Then just giving it a bloody good bash - that's the main thing.

My personality has become one that tends to focus and move forward, yes. But I was not like that when I was 16 or 23, I think. I was much more uncertain, unconfident and inwards looking. Then via certain techniques I learned from psychotherapy, magick and just life in general I become more focused, confident and happy within myself.

The thing is that I don't normally think in terms of manga when I'm writing. Sounds odd from someone who has is getting a reputation for doing manga related work. But I would say that my scripts are NOT manga at the stage of my writing process, they are just comic book stories in a more general sense.

An aspect of 'post-modern' approach to history is to include the mistakes and the prejudices of the era, without modernizing them or 'correcting' them according to our modern ideals.