Most comic book creators consider about making characters that people recognize and that can carry across many books. Something that becomes a trademark. For me I have always just followed IDEAS, and that takes me into a whole range of things.

Despite the variety my books reflect my, perhaps foolish, tendency to place artistic above financial concerns; of enjoying the more mature themes in whatever creative form; of being on a mission to show that comics are not just for kids; and on a wider level of standing up for individuality against conformity.

There are many things I still don't know or don't do well in comic books. It's more a question of having the will to do something creative on a subject that seems interesting. Then just giving it a bloody good bash - that's the main thing.

When its comes to music and books 'OK' is not good enough. We need creative work that floors us! That we can't believe the beauty and brains and style and cool of. 'OK' can kiss my arse.

Most comic book creators consider about making characters that people recognize and that can carry across many books. Something that becomes a trademark. For me I have always just followed IDEAS, and that takes me into a whole range of things.

The thing is that I don't normally think in terms of manga when I'm writing. Sounds odd from someone who has is getting a reputation for doing manga related work. But I would say that my scripts are NOT manga at the stage of my writing process, they are just comic book stories in a more general sense.

Who are we to be so arrogant as to say 'now WE know what's best, THAT era was full of daft ideas' etc. There will be plenty things we take as normal and good now that future generations will look back at in horror or amusement.