Most comic book creators consider about making characters that people recognize and that can carry across many books. Something that becomes a trademark. For me I have always just followed IDEAS, and that takes me into a whole range of things.

Me being from a Celtic culture that tends to emphasize directness, conflict, openness has a big effect on my living in Japan, which tends to focus on indirectness, avoidance of conflict and keeping things close to your chest. So that has led to quite a lot of cultural misunderstandings in dealing with this East Asian culture I live in.

Despite the variety my books reflect my, perhaps foolish, tendency to place artistic above financial concerns; of enjoying the more mature themes in whatever creative form; of being on a mission to show that comics are not just for kids; and on a wider level of standing up for individuality against conformity.

Writing about a place is, of course, one good way of feeling close to it, feeling you have made something out of your interaction with that place. It's like a marker of your own experience, of that time in your life.

Mistakes and prejudices are as interesting as anything else. They reveal a lot about the mind set and culture of the time under consideration.

Most comic book creators consider about making characters that people recognize and that can carry across many books. Something that becomes a trademark. For me I have always just followed IDEAS, and that takes me into a whole range of things.

My personality has become one that tends to focus and move forward, yes. But I was not like that when I was 16 or 23, I think. I was much more uncertain, unconfident and inwards looking. Then via certain techniques I learned from psychotherapy, magick and just life in general I become more focused, confident and happy within myself.