I'd do anything to get a performance, short of malice.

As a foreign worker in Haiti, speaking for myself, speaking for the workers, our organization is about 95 percent Haitian, but even foreign workers driving through, we have had very minimal security issues.

It has nothing to do with the emotional demands of a role; I've done comedies that are as draining to me as any drama.

When everything gets answered, it's fake.

Whatever one considers art to be, there is in many people a hunger to express themselves creatively and to feel authentic in doing that.

I've never really been one to get what they call stage fright so much.

What happens is things come to you - director, script - and if you respond to it, it's because it's tapping into some part of what's inside you, and different roles tap into different parts.