What happens is things come to you - director, script - and if you respond to it, it's because it's tapping into some part of what's inside you, and different roles tap into different parts.

Reputations are maintained by the outside world, and they're created by it, too, by and large. And they serve as a hell of a device for privacy, because the more people look for something that's not there, the less chance they have of violating who you are. It's like going out there with a mask on, without having to exercise your upper body to put it on.

I really love to make movies.

I can't imagine being quite as lucky at any other time - I certainly never have been before. That goes right down from my producing partners to people like Eddie Vedder. But the two things that make me feel that this was meant to be now and not before was that the story itself has more resonance today - I find it a more important story today than it was then - and Emile.

I don't want to lie, play games, hurt somebody, or get hurt. You can only go forward in one direction.

Whatever I was able to do with those experiences certainly contribute to whatever I'm able to do as a director. The corruption in that is that most of what I acted in the last 10 years was to steal film school time from these guys. Those were the people I thought I could learn from as a director.

I can make a better living as an actor than I can as a director. Though I certainly would prefer to be directing movies.