For all forms, writing dialogue is almost like writing music. I pay close attention to rhythms and tones.

I'm disciplined about writing. I get up every day knowing I have to produce work. I'm less concerned about other aspects of the job, such as the prizes and promotions. Promoting my work can be awkward, unless I feel sociable enough. Prizes encourage me to work harder on my next project.

I had stopped writing plays set in villages because they were not relevant to my experiences and I knew my English classmates wouldn't appreciate them.

As a student in England, I studied French and English literature. I read L'Etranger and the rhythm of the novel felt familiar to me - very African.

My accountancy experience could come in handy if ever I find myself in the right position. For now, I'm very happy to write.

I read Macbeth as a secondary student in Nigeria and it was like an African play to me. It had all the right elements - witches, kings and assassinations.

You don't need attention to write. All you need is passion for your work and an overwhelming desire to tell a story you genuinely care about. Readers can sense your sincerity and it separates you from pretenders.