As a student in England, I studied French and English literature. I read L'Etranger and the rhythm of the novel felt familiar to me - very African.
Sefi AttaI had stopped writing plays set in villages because they were not relevant to my experiences and I knew my English classmates wouldn't appreciate them.
Sefi AttaI always begin [a novel] with outlines, but they change and so do my endings and beginnings.
Sefi Atta