Dark Horse movie might be blood, sweat, and tears for Todd Solondz, because things are so important to him and so specific. He has such a rhythm and a tone. So while he may have to work so hard to keep that intact, it allows the actors the freedom to just breathe. Because he's done all the heavy lifting. He really has. He has everything the way he needs it. And so we can just get there and be whatever he saw in the audition.
Selma BlairI'm older and have a kid, I like success on my own, but I always enjoyed all my parts playing the fifth wheel. I mean, just loved it. There was such freedom in it and I still got to enjoy watching everyone work.
Selma BlairI remember my first meeting with Guillermo Del Toro - he couldn't have been warmer, but I always had a kind of immaturity about me dealing with people that were in charge. Not really knowing how to conduct myself. And I got on the floor and curled up into a ball under a desk, which is so weird - as I was doing it, I was like, "Oh, my god, you're a freak. Get up. What are you doing?" And I looked at him like, "I'm so sorry," and he's like, "No, it's natural. Why wouldn't you want to do that?" He's just the most giving person and made me feel not like a freak.
Selma BlairWhat would seem like an innocuous meat tenderizer turned out to be the biggest fear of every PA and producer - everyone on set. You know, it's dangerous, because you're running around and you're taking close swings at people with something that really could kill them. It's not like you have a gun with no bullets that you're doing cinematically. You actually have a weapon that you're swinging at people.
Selma BlairLegally Blonde was a game-changer. That's an American classic. I was so proud to be Vivian Kensington. I still have an argyle barrette. Sophie Carbonell did such an amazing job with the wardrobe - it's just iconic. Yeah, that'll forever be - girls still like it. It's not dated to them. Little girls now still watch it.
Selma Blair