Of course I have used dissonance in my time, but there has been too much dissonance. Bach used dissonance as good salt for his music. Others applied pepper, seasoned the dishes more and more highly, till all healthy appetites were sick and until the music was nothing but pepper.

It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.

I detest imitation, I detest hackneyed devices.

Formalism is music that people don't understand at first hearing.

When the Second World War broke out, I felt that everyone must do his share, and I began composing songs and marches for the front. But soon events assumed such gigantic and far-reaching scope as to demand larger canvasses.

My mother had to explain that one couldnt compose a Liszt rhapsody because it was a piece of music that Liszt himself had composed.

At home we didnt talk about religion. So gradually the question faded away by itself and disappeared from the agenda. When I was nineteen my father died; my response to his death was atheistic.