Anyone can write a story based on the kind of horror where you see a guy in car and then there's the bad guy in the back seat. It's infantile to rely on that for telling a story. That's like going to bed and thinking there's a monster under your bed. It's silly.

I keep very weird hours. I never know when I'm going to get an idea.

Suspense is very important. Even though this is humor and they're short stories, that theory of building suspense is still there.

When you're drawing comics, you get very involved in how the story is going to develop and you spend more time daydreaming on that particular subject.

I live in a very small town and now that I've closed down my studio, I'm working at home.

At the end of the '60s, I was trying to enter the world of comics.

My father was very political. But he told me, "Be very careful when you get into politics, because there's no black and white. There's an in-between in everything. So look at that side, don't take one point, because then you are negating half of the other people. Try to find the logic on a problem, something that you believe, and take the position that you believe, but be very careful about it." So I was very well trained in that aspect.