If I see that something is wrong, I don't care who says it. Whether it's a Republican or Democrat, the left or the right. If they are on the opinion of the right thing, that's what I will talk about. I won't proselytize or make the strong things to influence other people about any particular politics, except the decency of things, the logic of things. That's why I don't get that much involved in politics directly.

My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.

Once you've established where you are, you go to the character and elaborate on expressions and action.

I have always loved horror very much. I used to write stories for DC's House of Mystery. It was one of my first jobs writing for comics, and I loved it.

When you're drawing comics, you get very involved in how the story is going to develop and you spend more time daydreaming on that particular subject.

My best sources are my travels and my collection of National Geographic.

If the gag is complicated, you spend more time thinking about the way you’re drawing it.