I think that true horror is accomplished by slowly getting into your brain. The old way is much more scary.

The difference between me and many young people is, I don't carry music with me. I like to think. I don't use any modern convenience to be talking to other people, because I like my time to think. I go to the garden in the morning, and this time, I'm thinking ideas, I'm not drawing, I'm thinking.

When sadness happens in the middle of work, I separate my personal grief from my train of thought.

Anyone can write a story based on the kind of horror where you see a guy in car and then there's the bad guy in the back seat. It's infantile to rely on that for telling a story. That's like going to bed and thinking there's a monster under your bed. It's silly.

When I'm drawing a bottle or a town or a market, I transport myself there. So I start drawing everything that I'm looking at while I'm there. Here's a guy selling the meat, and he will have a hook, and you start adding things, and it's a lot of fun.

If I see that something is wrong, I don't care who says it. Whether it's a Republican or Democrat, the left or the right. If they are on the opinion of the right thing, that's what I will talk about. I won't proselytize or make the strong things to influence other people about any particular politics, except the decency of things, the logic of things. That's why I don't get that much involved in politics directly.

My best sources are my travels and my collection of National Geographic.