The Western, when I do one, will be one long, continuous story.

At the end of the '60s, I was trying to enter the world of comics.

I live in a very small town and now that I've closed down my studio, I'm working at home.

If the gag is complicated, you spend more time thinking about the way you’re drawing it.

Once you've established where you are, you go to the character and elaborate on expressions and action.

When you're drawing comics, you get very involved in how the story is going to develop and you spend more time daydreaming on that particular subject.

My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.