I have always loved horror very much. I used to write stories for DC's House of Mystery. It was one of my first jobs writing for comics, and I loved it.

My father was very political. But he told me, "Be very careful when you get into politics, because there's no black and white. There's an in-between in everything. So look at that side, don't take one point, because then you are negating half of the other people. Try to find the logic on a problem, something that you believe, and take the position that you believe, but be very careful about it." So I was very well trained in that aspect.

Sometimes, you start with the drawing and then the gag comes to you in the middle of it. That is when you start working on the solution of the gag, which is composition, placing, equilibrium, and character design.

If a cat had a halo, it would probably wear it around it's tail. It makes a statement.

The Western, when I do one, will be one long, continuous story.

Comics is a great medium to get a lot of stories out.

Suspense is very important. Even though this is humor and they're short stories, that theory of building suspense is still there.